I know! It's been ages!

Every time I thought about blogging, something seemed to get in the way.

I was hoping to post some more pictures of Loara Standish, but I have put that one aside for now. I really think there had to be something wrong with that girl! Anyone who would stitch like that must have had a twisted mind! I made a mistake, (or I thought I did, - then turned out, I really didn't make a mistake after I frogged everything), and took 2 full evenings frogging. The stitching pattern is very odd to make it reversible, so the frogging becomes really impossible because you cannot tell where the stitch is coming from. (Those of you who have tried reversible stitching will know what I am talking about). Anyway, I found the whole thing sooooo annoying, that I decided to put it aside for a while.

I have been making progress on my Country Garden quilt, but I do not have any pictures yet.

I had a busy summer and fall. This was our second year keeping bees, and we finally got some honey!

I made a sign. (Keith cut it out and I painted it and did the lettering).

People are getting to know that we are here, and we have been selling several bottles a week. We have put a lot into it, money and time. Keith figured out that if we sold the honey for what it cost us, we would have to charge about $67 a bottle! LOL! We are selling the bears for $6 each. Gradually as we sell them, that cost goes down. If we have a good year next year, we will break even.

No one gets rich selling honey! It does give you a good feeling though. It has been a very positive experience, and people do seem to appreciate it. We have one customer who has been here 4 times, and says we have the best honey she has ever tasted! That makes you feel good!

One thing I tried was the honor system which I am happy to say has worked very well. We have a little table that we put out when we are not there.

I spent last weekend bottling up the honey from the 4th hive, the last harvest of the season.
This is what I got. My little army of bears!The bees need what is left so they can make it through the winter. We will not be harvesting again until next spring.

Now, back to stitching . . .

For my holiday stitching, I decided on Patricia Andrle's Wintertide.

This is a handanger ornament. It is a freebie, and is available here.

I am stitching it as designed on 28 ct white linen, using silk threads, although I think this one could be done very nicely with Perle cotton as well.

I have just started it, but you can see the Kloster blocks here done with the silk serica.

Well that's it for now. I promise it will not be so long til next time!

Hope everyone has a very Happy Thanksgiving!

A Finish and a VERY Nervous New Start!

I finished up The Mary Clark Sampler last week, but have only now gotten around to posting the picture.

I stitched it on 40 count linen using silk threads.

This was a fun sampler to stitch, and I am pleased with the way it turned out. I am looking forward to finding the right frame for it.

The May edition of my Totally useless stitch-along shows the colors from the Mary Clark Sampler, as well as a bit more pink from my Country Garden quilt.

Now, for the new start.

I have finally decided to bite the bullet. This has been in my stash for years, but has intimidated me every time I look at it!

This is one big, scary box!

Yup, the beast itself!

I have finally decided to take on The Loara Standish Sampler!

Just a bit of history:

This is a reproduction of America's oldest known sampler (circa 1640). It has been preserved in Pilgrim Hall, America's oldest museum since 1844. Loara was the daughter of Capt. Myles Standish and his wife Barbara , of Plymouth Colony, Massachusetts. The stitches are all very intricate, and the whole thing is reversible! The original was stitched on a fine linen (50 threads by 66 threads, and measures 7-1/4 X 23-1/2", using silk floss.

The kit came with 35 count hand-dyed linen and silk floss. There are instructions for stitching a non-reversible version, but I have chosen to make it reversible.

I decided that the only way I was going to get through this, was to treat it just like any other sampler, modifying it as I see fit.

I am changing the linen to 40 count, but perhaps the biggest change I am making is with the silk thread. The instructions call for using 2 strands of silk thread over 3 threads. I tried this and did not like the effect. Some of the stitches require the thread to pass through a single hole, many times. It comes out very thick and chunky. I decided to use 1 strand over 3 threads. I am hoping that increasing the linen to 40ct will make up for the density. This is not entirely without issues however, because some of the colors were intended to be blended together using two colors on the needle. The shades are very close however. I will have to make the decision which color to use when I come to it.

There was a huge amount of prep work for this piece. I dyed the linen in a mixture of tea and coffee, rinsed, dried and ironed it. This closed the holes even more.

It took an hour to read through the huge instruction packet, and I am still not sure I have gotten it straight! Then I had to make a stitching line down the left side of the linen, stitching over every three threads, to mark where the bands begin.

Finally I was ready to start. The first band was to be stitched in the famous Standish stitch.

This is not as easy as it looks! Your brain gets very used to stitching over 2 threads, and it is very hard to get used to stitching over 3! The 40ct makes it even tougher. Also,you have to constantly check the back to make sure it truly is reversible. It requires that one stitch be done twice in the same spot, and this is very easy to overlook. There were 67 of these stitches in Band 1.

This is how it came out:

(click to see detail)

Phew! This is going to be a tough one!